Toomey & Co. Auctioneers sets out to redefine collecting with new sale

Toomey & Co. Auctioneers will present Tradition & Innovation, its inaugural auction of important works from the 19th century through today on December 2 at 10 a.m. CST. This sale offers items across a variety of artistic movements and media by painters, furniture makers, designers, ceramicists, silversmiths, sculptors and architects who have helped define the world of art and design for more than a century. Fine art includes four works by Chicago artist Gertrude Abercrombie, who was most recently featured in a retrospective exhibit at New York’s Karma Gallery, and Gladys Nilsson, a member of Chicago Imagist group, “Hairy Who”, currently featured in an exhibit at the Art Institute of Chicago. Other artists include Chicagoans Ed Paschke, Ed Flood and Richard Howard Hunt, as well as a Sol LeWitt sculpture estimated at $100,000-200,000, a 1955 painting by Charles Green Shaw, Edgar Payne’s Twin Peaks, estimated at $

Ancient Chinese painting auctioned for almost $60 million at Christie's Hong Kong

A nearly 1,000-year-old ink painting by one of China’s greatest literati masters Su Shi fetched US$59.5 million (HK$463,600,000) at auction, Christie’s said Monday. The auction house has described the Song Dynasty artwork created by Su as “one of the world’s rarest Chinese paintings”. Entitled “Wood and Rock”, the ink-on-paper handscroll depicts a dragon-like old tree with withered branches and a sharp rock resting at its root. The painting was the most expensive item ever sold in Christie’s Asia, it said. Su Shi, also known as Su Dongpo, is one of the most important cultural figures in Chinese history and was an esteemed scholar, poet, prose-writer, painter, calligrapher and statesman. The 185.5cm-long scroll is inscribed with calligraphy and the poems of four important literati of the 11th century in China, and also exhibits the seals of 41 collectors. “The number of the works securely attributed to him are very few, probably only two or three. They are extremely

Egypt unveils ancient tomb and sarcophagi in Luxor

Egypt on Saturday unveiled an ancient tomb, sarcophagi and funerary artifacts discovered in the Theban necropolis of Al-Assasif in the southern city of Luxor. In a ceremony in front of the temple of Queen Hatshepsut, Antiquities Minister Khaled al-Anani announced that French and Egyptian archaeologists had discovered “a new tomb… with very nice paintings”. Located between the royal tombs at the Valley of the Queens and the Valley of the Kings, the Al-Assasif necropolis is the burial site of nobles and senior officials close to the pharaohs. Among the finds in the tomb are sarcophagi, statues and some 1,000 funerary figurines called “Ushabtis” made of wood, faience and clay. The tomb dates back to the Middle Kingdom, which spanned the 11th and 12th dynasties, and belonged to “Thaw-Irkhet-If”, mummification supervisor at the Temple of Mut in Karnak, according to the ministry. Separately, archeologists from the French Institute

Caroline Bartlett: From conception to creation

Caroline Bartlett could be described as a “historian in stitch.” Her passion for exploring the historical, social and cultural associations of textiles result in art installations that take your breath away.

Her work entitled “Stilled” is a prime example. As you’ll discover in this article, every material choice—from threads to hoops to fabrics—has a significant historical connection to the space in which the work was installed.

In the newest article from our From Conception to Creation series, you’ll also discover how Caroline breaks traditional boundaries of how textile art is displayed and viewed. Her works are not neatly framed and hung on a wall. Instead, Caroline takes over entire spaces and literally suspends her work in ways that engage viewers like no other.

Examples of Caroline’s work can be seen in various public, corporate and private collections, including those of the Victoria and Albert Museum and the Crafts Council. Her work has also appeared in over 35 national and international exhibitions since 2000.

Calgary | Equity, Diversity & Inclusion Survey from

In 2017 Calgary Arts Development undertook an Equity, Diversity, and Inclusion (EDI) survey of Calgary’s arts sector, as represented by the 161 non-profit arts organizations who receive annual operating funds from Calgary Arts Development.

The survey materials were developed through a partnership with the Calgary Congress for Equity and Diversity in the Arts(CCEDA). We acknowledge and extend tremendous gratitude to Michele Decottignies and Jenna Rodgers for their work developing the self-disclosure form and reporting materials.

To read a summary and read the whole report, visit the Calgary Arts Development website.

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