Tuesday, May 7, 2019 – 17:00Arts Catalyst is leading the way in developing new models of artistic research and collaboration and this is an exciting opportunity to shape the organisations future as it relocates from London. Artistic Director / Joint CEO – Arts Catalyst, Londonp/t 3 days per week£22,800 (£38k pro rata) per annum Based in South Yorkshire (Sheffield) or London Arts Catalyst is looking to appoint a new Artistic Director/Joint CEO to develop its programme and establish the organisation in Sheffield, to where the organisation will be relocating from its current home in London over the next 15 – 18 months. This is an exciting opportunity to shape Arts Catalyst’s artistic future and, jointly with the Executive Director, to lead Arts Catalyst into its exciting next chapter, building on its position as one of the UK’s leading contemporary art organisations. Over its 25-year lifetime, Arts Catalyst has become an internationally respected art and research organisation known for its bold and experimental artists’ commissions and exhibitions, its role in expanding art into domains commonly associated with science and specialist research, and a curatorial model of co-inquiry that enables long-term programmes of inquiry with artists, scientists, communities and interest groups. Arts Catalyst supports artists at pivotal stages in their careers, providing opportunities to develop projects and create ambitious new artworks. It is a non-profit organisation, funded by Arts Council England as a National Portfolio Organisation. Ahead of the relocation to Sheffield, over the next two years, Arts catalyst will embark on a programme of activity in the city, in which the new Artistic Director will play an integral role. Click here for a job description and information about how to apply. The closing date for this position is 10am, Friday 14 June 2019 It is anticipated that interviews will be held between 2 – 3 July 2019. Second round interviews will be held between 8 – 9 July 2019. Arts Catalyst is an equal opportunities employer and encourages applications from all sections of the community. JOB DESCRIPTIONEQUAL OPPORTUNITIES FORM
The brightest stars in fashion and Hollywood collide Monday at the Met Gala, the biggest party of the year thrown by the venerable Metropolitan Museum of Art in New York. As it does every year, the annual extravaganza to raise money for the museum’s Costume Institute kicks off the Met’s annual major fashion exhibition — look out, because the theme is “camp.” And the more outrageous the outfit, the better for the Met Gala red carpet, where the A-listers strut their stuff, usually in the most eye-popping ensemble they can find to match the theme. Last year, Rihanna showed up in full papal-esque regalia, and Madonna wore a regal black gown — with a see-through cross in the bodice — to go along with the “Heavenly Bodies” concept. Want a seat? They go for $35,000 a piece. Attendance is by invitation only, and word ha
The first artifact — a wooden mask — was discovered in 2007 by a child who stumbled upon it while playing on the beach near his home in Quinhagak, a village in western Alaska that sits by the Bering Sea. Over the following months, hundreds of similar objects — baskets, finely carved harpoon shafts, lip plugs, wooden dolls, ivory tattoo needles — emerged from the earth as melting permafrost and erosion driven by climate change revealed a Yupik Eskimo settlement dating back to the 1600s. Today, more than a decade after the first find, an extraordinary collection of some 100,000 prehistoric Yupik artifacts — the largest such collection in the world — sits in a small newly opened museum in Quinhagak, home to an indigenous community of about 700 people. “This is by far the highlight of everything I’ve ever excavated in my 40-year-career — and I’ve worked on some pretty spectacular sites,” said Rick Knecht, an archaeologist with the University of Aberdeen in Scotland. For the past 10
It takes a very special artist to turn plant decay, lichen and fungi into beautiful works of art. And that special person is textile artist Amanda Cobbett.
Amanda cherishes the discarded and overlooked treasures found on forest floors. And the way she recreates and presents those items through stitch, papier mache, and pyrography is remarkable. Her goal is to fool the eye, and she’s very successful at doing so.
As the saying goes, words could never express the magic in Amanda’s work. So we strongly encourage you to take a moment before reading further to view this very short video demonstrating her creative process:
Amanda was kind enough to give us an insider’s look at her techniques, including how she creates her own layered ‘fabrics’ with machine stitch and dissolvable backings. She also explains her unique display methods using contemporary versions of Victorian display cases that both amuse and delight.
Egypt’s antiquities ministry on Saturday unveiled a 4,500-year-old burial ground near the Giza pyramids containing colourful wooden coffins and limestone statues dating back to the Old Kingdom. The site on the southeastern side of Giza plateau contains tombs and burial shafts from various periods, but the oldest is a limestone family tomb from the fifth dynasty (around 2500 BC), the ministry said. An AFP photographer who was allowed to access the burial shaft saw inscriptions on the walls, intricately painted wooden sarcophagi and sculptures of animals and humans. The ministry said the tomb was that of two people: Behnui-Ka, who had seven titles including the Priest and the Judge, and Nwi, also known as Chief of the Great State and “purifier” of the pharoah Khafre. Khafre, known to the Ancient Greeks as Chephren, built the second