This fall, The Frick Collection presents a focused exhibition on two important Renaissance paintings by the celebrated artist Paolo Veronese (1528– 1588), St. Jerome in the Wilderness and St. Agatha Visited in Prison by St. Peter. While the paintings are known to scholars, their remote location in a church in Murano, an island in the lagoon of Venice known today for its glassmaking studios and shops, has made them difficult to study. St. Jerome in the Wilderness has been exhibited outside the church only once—in 1939, in the Paolo Veronese exhibition at Ca’ Giustinian, in Venice— while St. Agatha Visited in Prison by St. Peter has not left the church since being installed in the early nineteenth century. These two rarely seen canvases left Italy for the first time since their creation, over 450 years ago. And thanks to Venetian Heritage and the sponsorship of BVLGARI, they have been fully restored and returned to th

The internationally revered Dutch artist Rembrandt Harmenszoon van Rijn (1606-1669) is the subject of a major exhibition presented by Norwich Castle Museum & Art Gallery from Saturday 21 October until Sunday 7 January 2018. Rembrandt: Lightening the Darkness focuses specifically on one of the less well-known aspects of Rembrandt’s output, namely his fascination with print-making, in particular his use of this medium to explore innovative tonal gradations to produce evocative images of the Dutch landscape, biblical scenes full of drama and pathos, as well as sensitive portraits, including many introspective self-portraits. Not many people today know that during his lifetime, Rembrandt was as famed for his etchings as for his paintings. In Britain, for example, he was far better known as a printmaker. Forming the core of this compelling exhibition is the nationally important but little known collection of Rembrandt etch

The Seattle Art Museum presents Andrew Wyeth: In Retrospect (October 19, 2017–January 15, 2018), exploring groundbreaking perspectives on the art and legacy of the American painter’s 75-year career. Organized by the Seattle Art Museum with the Brandywine River Museum of Art for the 100th anniversary of the artist’s birth, the exhibition brings together 110 paintings and drawings ranging from the late 1930s to 2008, including rarely seen loans from the Wyeth family. In Retrospect reflects on Wyeth’s work through the historical lens of a century in which he deviated from the American art mainstream but continued to figure prominently in much of the country’s artistic discourse. In Retrospect opens with a gallery of significant works introducing the cast of characters from Wyeth’s world who feature in some of his most famous portraits, such as Christina Olson of Maine and Karl Kuerner, his neighbor

More than 20 years after the legendary exhibition Johannes Vermeer, the National Gallery of Art, Washington, presents Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. On view in the West Building from October 22, 2017, through January 21, 2018, the exhibition examines the artistic exchanges among Dutch Golden Age painters from 1650 to 1675, when they reached the height of their technical ability and mastery at depicting domestic life. Some 65 masterpieces by Johannes Vermeer and his contemporaries—including Gerard ter Borch, Gerrit Dou, Pieter de Hooch, Nicolas Maes, Eglon van der Neer, Caspar Netscher, and Jacob Ochtervelt—are grouped by theme, composition, and technique, thereby demonstrating how these painters admired, challenged, and pushed each other to greater artistic achievement. The paintings also reflect how these masters responded to the changing artistic climate of the Dutch Republic in the third quarter of