Gagosian is presenting “Turning Time,” an exhibition of eight new photographs by Vera Lutter. Lutter has created pinhole-camera photographs of architecture, landscapes, cityscapes, and industrial sites since the early 1990s. “Turning Time” comprises two series, one depicting ancient temples in the southern Italian town of Paestum, the other the Effelsberg Radio Telescope at the Max-Planck-Institut für Radioastronomiey in Germany, a radio telescope used for scientific research and recording cosmic activity in outer space. These studies of historical monuments and pivotal technological innovations reflect Lutter’s deep relationship with the forces of time. At each site, Lutter transformed a standard-size shipping container into a camera obscura, one of the oldest image-capturing technologies, whereby light enters into a dark camera space through a pinhole, projecting an image into the interior onto a sheet of

The McNay Art Museum announces four groundbreaking African American art exhibitions opening in Spring 2018. Something to Say: The McNay Presents 100 Years of African American Art; 30 Americans: Rubell Family Collection; and Haiti’s Revolution in Art: Jacob Lawrence’s Toussaint L’Ouverture Series open on February 8 and continue through May 6. 4 Texans: The Next Chapter opens on March 1 and continues through May 6. Something to Say is the first major survey of modern and contemporary African American art to be presented at the McNay. The exhibition juxtaposes works from the pioneering collection of Harmon and Harriet Kelley with loans from the collections of Guillermo Nicolas and Jim Foster, John and Freda Facey, and the McNay. “We are honored to present this extraordinary range of community-building exhibitions concurrently,” said Rich Aste, Director of the McNay. “They exemplify the Museum’s commi

Etchings by Rembrandt figure prominently in the collections of many American academic museums, in part because they reward close looking and appeal to a wide range of learners and visitors. Lines of Inquiry: Learning from Rembrandt’s Etchings, an exhibition at the Allen Memorial Art Museum at Oberlin College that runs from February 6 through May 13, 2018, brings together 60 prints by the 17th-century Dutch master. The exhibition has been co-organized by the Allen with Cornell University’s Herbert F. Johnson Museum of Art. Lines of Inquiry is curated jointly by Oberlin’s Curator of European and American Art Andaleeb Badiee Banta and Andrew C. Weislogel, the Seymour R. Askin, Jr. ’47 Curator of Earlier European and American Art at Cornell. In addition to prints from Oberlin and Cornell, the show includes etchings on loan from Harvard, Princeton, Syracuse, Vassar, Yale, the University of Kansas, the Morgan Libr

Over the past fifty years, New York art dealer and philanthropist Eugene V. Thaw assembled one of the world’s finest private collections of drawings. The collection, known for its breadth and exceptional quality, charts the high points of drawing from the Renaissance through the twentieth century and features works made by pivotal artists at key moments in the history of the art form. Mr. Thaw donated his collection of more than 400 drawings to the Morgan Library & Museum, New York, which celebrated the gift with the September 2017 opening of Drawn to Greatness: Master Drawings from the Thaw Collection, an exhibition that has drawn critical acclaim for the diversity and quality of the works presented. In recognition of Mr. Thaw’s longstanding interest in the Clark Art Institute, Drawn to Greatness traveled to Williamstown for an exclusive presentation at the Clark from February 3 through April 22, 2018. Featuring 150 drawi