Friday, April 20, 2018 – 16:00 – 20:00Project IMage:
Image courtesy public works
Friday, April 20, 2018 – 16:00 – 20:00Project IMage:
Image courtesy public works
Eugène Delacroix was one of the giants of French painting, but his last full retrospective exhibition in Paris dates back to 1963, the centenary year of his death. In collaboration with the Metropolitan Museum of Art in New York, the Louvre is holding a historic exhibition featuring some 180 works—mostly paintings—as a tribute to his entire career. From the young artist’s big hits at the Salons of the 1820s to his final, lesser-known, and mysterious religious paintings and landscapes, the exhibition will showcase the tension that characterizes the art of Delacroix, who strove for individuality while aspiring to follow in the footsteps of the Flemish and Venetian masters of the 16th and 17th centuries. It will aim to answer the questions raised by Delacroix’s long, prolific, and multifaceted career while introducing visitors to an engaging character: a virtuoso writer, painter, and illustrator who was curious, critic
The Richmond Public Art Program is seeking an artist, artist team or artist-led design team to create a sculptural pavilion for the new Tait Waterfront Park. The artwork will function as a picnic…
[[ This is a content summary only. Visit my website for full links, other content, and more! ]]Wednesday, April 25, 2018 – 14:00 – 18:00Project IMage:
Image courtesy Åsa Sonjasdotter
The Getty Conservation Institute announced today that it has nearly completed its work at the Tomb of Tutankhamen in Egypt, one of the most famous cultural heritage sites in the world. The project—a multiyear collaboration between the GCI and Egypt’s Ministry of Antiquities (formerly known as the Supreme Council of Antiquities) focused on conservation and the creation of a sustainable plan for continued conservation and management of the tomb. Work at the legendary site included the conservation of wall paintings, environmental and infrastructure improvements, and training for future care of the site. ”This project greatly expanded our understanding of one of the best known and significant sites from antiquity, and the methodology used can serve as a model for similar sites,” says Tim Whalen, John E. and Louise Bryson Director of the Getty Conservation Institute. “The work at Tutankhamen’s tomb i