An English modernist, Paul Nash (1889-1946) combined a fascination for natural landscapes with his very personal vision of the real and imaginary worlds which surrounded him. This led him to create an extraordinary body of work, which sets him among the most important British artists of the 20th century. Centred around Paul Nash’s unique perspective – inspired by nature, transformed by the two world wars he lived through and influenced by an increasing awareness of his mortality – this exhibition on the second floor of the Fondation features over thirty works painted during the period from 1918 to 1946. Paul Nash’s work bears the influence of a multidisciplinary approach, as well as the artist’s interest in a wide range of subjects, from Christian Science to hot air ballooning, and the mystic poets through to archaeology, photography and design. Presented in reverse chronological order, the exhib
Fresh consignments from seasoned private collections will take the spotlight on Thursday, August 30 as Artemis Gallery presents a 376-lot auction of fine antiquities, Asian and ethnographic art. The expertly curated selection includes treasures from the world’s most fascinating cultures, going as far back as the Ancient Egyptians and other early Middle Eastern civilizations. As is the case at each and every Artemis Gallery event, all lots are guaranteed to be authentic, legal to purchase and, if desired, resell. A letter of authenticity will accompany each auction item. The journey through time begins in mystical Egypt, with a pre-dynastic buffware jar slated as the sale’s opening lot. Dating to circa 3400-3200 BCE, the terracotta vessel of globular form is decorated throughout with red pigment in a series of panels. Formerly auctioned at Sotheby’s and si
The Schirn Kunsthalle Frankfurt is presenting a new work by the award-winning video and installation artist Neïl Beloufa from August 23 to October 28, 2018. For this the artist has created walkable sculptural installations in the Schirn Rotunda, which is freely accessible to the public, as well as in an adjoining exhibition space. The exhibition “Global Agreement” is dedicated to the human body and its discursive and political importance. It shows Neïl Beloufa’s latest interest in the army, weapons, fitness, beauty, and the body cult as well as in the staging of power. Power is a central, recurring theme in his work—the social conflict between majority and minority, between dominance and oppression, as well as the power of images for our perception of reality. The question why people join the army was the starting point for several interviews with male and female soldiers from different countries via the video chat
Since completing her year of fine arts, Chloe Redfern has been on a creative voyage of discovery. The textile artist has tried everything from bookbinding to collage and believes that this has guided her creative practice; helping her to find her passion for hand embroidered hoop art.
The daughter of an artist, Chloe is inspired by nature. This motivates her to create exquisite works of art, using sumptuous colours and experimental stitches. She has written articles and created patterns for magazines and runs an online shop.
In this interview, Chloe tells us how growing up surrounded by creativity allowed her the confidence to explore different artistic techniques and which stitches she likes to use. We learn that, sometimes, she just lets the thread guide her; working in an intuitive way and that she enjoys nothing better than looking at her thread collection.
Chloe Redfern: Wildflowers (Detail), 2018, Hand embroidery with stranded cotton thread
All mines need regular reinforcement against collapse, and Hallstatt, the world’s oldest salt mine perched in the Austrian Alps, is no exception. But Hallstatt isn’t like other mines. Exploited for 7,000 years, the mine has yielded not only a steady supply of salt but also archaeological discoveries attesting to the existence of a rich civilisation dating back to the early part of the first millennium BC. So far less than two percent of the prehistoric tunnel network is thought to have been explored, with the new round of reinforcement work, which began this month, protecting the dig’s achievements, according to chief archaeologist Hans Reschreiter. “Like in all the mines, the mountain puts pressure on the tunnels and they could cave in if nothing is done,” Reschreiter told AFP.