Tuesday, May 1, 2018 – 18:00 – 20:00Project IMage:
River Calder
Tuesday, May 1, 2018 – 18:00 – 20:00Project IMage:
River Calder
A lone finger bone unearthed in the desert suggests modern humans had penetrated deep into Arabia already 85,000 years ago, said a study Monday that claimed to advance our African exodus by millennia. The research, published in the journal Nature Ecology & Evolution, challenged a long-held consensus that humans started to move en masse from our birthplace in Africa only about 60,000 years ago, with a few small, unsuccessful migrations before. Recent archaeological finds have started to question that idea, with some claiming evidence of homo sapiens spreading beyond Africa and the adjacent Levant region already 120,000 years ago or more. However, many of those discoveries — including from China and Australia — have doubts hovering over their authenticity and dating, said the authors of Monday’s study.
In addition to focusing on the importance of Rubens within the history of the oil sketch and facilitating an appreciation of the unique qualities of his works of this type, the exhibition Rubens. Painter of Sketches presents the results of an exhaustive research project directed by the exhibition’s two curators: Friso Lammertse, curator of Old Master Painting at the Boijmans Van Beuningen Museum, and Alejandro Vergara, chief curator of Flemish and Northern schools painting at the Museo del Prado. The conclusions of their study are presented in the exhibition and also form the basis of the accompanying publication. The practice of producing oil sketches within the process of creating a painting began in 16th-century Italy. Artists such as Polidoro da Caravaggio, Beccafumi, Federico Barrocci, Tintoretto and Veronese were the first to make use of painted oil sketches as vehicles to try out their ideas when devising a painting. Ho
Neroli Henderson is an Australian textile artist living in St Kilda, Melbourne. Often described as an Artivist she creates feminist, political and other artwork focussing on the human condition and fighting for social change.
Neroli’s artwork is in private and commercial collections worldwide, she regularly exhibits internationally and has won awards at home and abroad.
In this interview, Neroli tells us how an accident at home left her unable to move much for 7 years until her mum dragged her to a quilting exhibition and her love of stitch began. We discover how she developed her unique style and why she is compelled to use it to highlight injustices in the world.
Neroli Henderson, The Churning, 2014, 30 x 42cm, Acrylic metallic fabric paint, cotton fabrics, fusible raw edge applique, intensive quilting and machine decorative stitches
Susana Ortiz Maillo was born in Madrid, where she grew up and studied Fine Arts at the Complutense University from 1996-1999.
In 1999 Susana received an Erasmus scholarship for a year at the Städelschule art school in Frankfurt, Germany, becoming a regular student there for the following four years and finally graduating as master student with Christa Näher.
Today, Ortiz Maillo works in Offenbach and Frankfurt and lives between Spain and Germany and lets this show through in the way symbols and visual styles overcome all boundaries to share the same space in her works.
One can find a certain dialogue between cultures in her body of work but not in the way one might expect. To enter the world of Susana’s paintings is to embark on a trip towards a subjectively charged dreamscape.