From November 2019 to February 2020 Museum De Lakenhal will present the exhibition Young Rembrandt.1624-1634. This will be the first major exhibition exclusively devoted to the early work of Rembrandt Harmensz. van Rijn (1606-1669). Young Rembrandt 1624-1634 will allow visitors to look over the young painter’s shoulder and see how his talent developed and flourished. Almost 400 years after their creation works produced in Leiden by the now internationally famous master will return to the city of his birth. The exhibition consists of approximately 40 paintings, 70 etchings and 10 drawings. Apart from work by Rembrandt there will also be work by, amongst others, Lievens, Lastman and Van Swanenburg. The exhibition has been organised in collaboration with the Ashmolean Museum in Oxford, one of the leading museums in the United Kingdom.
There is the $72 million apartment, so large it runs the full length of one side of the Plaza Hotel, with windows overlooking Central Park. A second Manhattan apartment is high up in one of the tallest buildings in the Western Hemisphere, along the so-called Billionaires’ Row. The $19 million house in the Hamptons on Long Island has neighbors with boldface names, including Martha Stewart and Steven Spielberg. The $23.5 million yacht is a 150-foot-long prizewinner. And then there is the art collection, an enormous trove of masterpieces that the judge presiding over the divorce described as “extraordinary” and “internationally renowned” and that has become the latest chapter in the exes’ rancorous unraveling. Among the more than 150 pieces are multiple works by Pablo Picasso, Jeff Koons, Willem de Kooning and Mark Rothko.
Thursday, November 7, 2019 – 12:00 – 16:00Project IMage:
wetlands imaginary 2
James Tissot (1836–1902) was one of the most celebrated French artists during the 19th century, yet he is less known than many of his contemporaries today. Presenting new scholarship on the artist’s oeuvre, technique, and remarkable life, James Tissot: Fashion & Faith provides a critical reassessment of Tissot through a 21st-century lens. The exhibition, co-organized by the Fine Arts Museums of San Francisco and the Musées d’Orsay et de l’Orangerie, Paris, includes approximately 60 paintings in addition to drawings, prints, photographs, and cloisonné enamels, demonstrating the breadth of the artist’s skills. The presentation at the Legion of Honor is the first major international exhibition on Tissot in two decades and the first ever on the West Coast of the United States. “The work of James Tissot provides a fascinating lens onto society at the dawn of the modern era. Long recognized as a keen observer of
“War is a force that gives us meaning,” wrote the veteran foreign correspondent Chris Hedges — an adage he delivered with vicious irony. War can pick up the dull, lousy clay of your little human life, and refashion you into a hero or martyr. War muffles brute inequities of power and capital, and entrances you with blandishments of honor. War is a storyteller, with a tale so grand and corrupt that even death becomes beautiful. Five hundred years ago, at a moment of political rebellion and economic anxiety, a leader arose who understood the public allure of the martial imagination, and how war could turn a noble into something like a superman. He was Emperor Maximilian I of the Holy Roman Empire, and out of an iffy inheritance in Austria he emerged as one of the most powerful leaders in Renaissance Europe, presiding over territories from the modern-day Netherlands all the way to Croatia. He had some successes on the battlefield, yet it was not principally his military prow