The Frick Pittsburgh announces the opening of a major exhibition at The Frick Art Museum on October 13, 2018. Isabelle de Borchgrave: Fashioning Art from Paper features meticulously crafted and astonishingly beautiful life-size paper sculptures based on historic clothing, created completely from artfully painted, pleated, crumpled, and manipulated paper by contemporary artist, Isabelle de Borchgrave (Belgian, born 1946). The exhibition will remain on view through January 6, 2019. Isabelle de Borchgrave: Fashioning Art from Paper exhibition presents the full breadth of the artist’s exploration of historical costume through contemporary paper sculpture and will include examples from all of her major series, beginning with her exploration of 300 years of fashion history in the works created for Papiers à la Mode. Works from her Splendors of the Medici series are inspired by Italian Renaissance costumes portrayed in Old M
Date limite : Vendredi 2 novembre 2018
Le Centre d’arts visuels de l’Alberta (CAVA) lance un appel à projets pour la programmation de janvier à août 2019 de l’Espace Exploration. Cet appel s’adresse aux artistes, groupes d’artistes, collectifs et commissaires francophones oeuvrant dans le domaine des arts visuels. Lors de la sélection des projets artistiques, le jury portera une attention particulière à des projets reflétant les transformations et les innovations des domaines des arts visuels. Les dossiers des artistes albertains seront traités en priorité. Dans son Espace Exploration, le CAVA présente chaque année 6 expositions d’art actuel. En parallèle des expositions, le CAVA organise des conférences, des conversations avec les artistes ou des ateliers créatifs permettant d’appréhender l’exposition sous un autre angle et de prolonger la réflexion.
Le Centre d’arts visuels de l’Alberta (CAVA), fondée en 1997 par la Société francophone des arts visuels de l’Alberta (SAVA) est une association à but non lucratif qui a pour mission de sensibiliser la communauté à l’importance des arts visuels et de stimuler les artistes francophones dans leur cheminement.
Tous les dossiers doivent comprendre :
Israel unveiled Tuesday a stone pillar engraved with an ancient inscription showing that the spelling of Jerusalem in its present-day Hebrew form was already in common use some 2,000 years ago. During construction work in February in Jerusalem, archaeologists unearthed the pillar with the inscription “Hananiah son of Dodalos of Jerusalem,” written in Aramaic with Hebrew letters. The Hebrew spelling of the city — pronounced Yerushalayim — is the same today. The name of the city in that form appears only rarely from the period of the second Jewish temple (first century AD) and usually in religious and political contexts, said David Mevorach of the Israel Museum, where the stone is now being exhibited. The city’s name appears several hundred times in the Bible, almost always in the slightly different form of Yerushalem and only five times as Yerushalayim, said Yuval Baruch of the Israel Antiquities Authority.
Phoenix Art Museum is presenting Teotihuacan: City of Water, City of Fire, the first major U.S. exhibition on Teotihuacan in more than 20 years from October 6, 2018, through January 27, 2019 in Steele Gallery. This historic exhibition, organized by the Fine Arts Museums of San Francisco (FAMSF) and the Los Angeles County Museum of Art (LACMA), showcases more than 200 artifacts and artworks from the UNESCO World Heritage site. This exhibition presents a rare opportunity to experience both previously and recently excavated objects drawn from major collections in Mexico, many of which are on view in the United States for the first time and include mural fragments, religious offerings, reliefs, and more. A contemporary of ancient Rome, which reached its height in 400 CE, the ancient metropolis of Teotihuacan is one of the largest and most important archaeological sites in the world and the most-visited archaeological site in Mexico. On vi
World renowned for their expertly curated ancient and cultural art auctions, Bob and Teresa Dodge of Artemis Gallery will host a Thursday, October 11 sale comprising 417 lots of exceptional antiquities, Asian and ethnographic art. Each item boasts impeccable provenance and is offered with the gallery’s unconditional guarantee that it is authentic and legal to purchase, own, and if desired, resell. The highly anticipated auction, which invites absentee, phone and Internet live bidding, is a virtual timeline of the most significant civilizations of the past 4,000 years. As is the case with all of its sales, Artemis Gallery has organized the upcoming auction in a chronological manner, starting with the earliest pieces, from Ancient Egypt, and progressing through the modern era. The auction opens with Egyptian marble and pottery vessels, including a huge Pre-dynastic black-top jar, TL tested and estimated at $17,500-$25,000.