Bonjour, ParisThe art word has arrived in Paris for museum and gallery openings ahead of FIAC, the fair that opens later this week. A quick dive into the gallery previews can shed light on whether certain hot artists might have … Read More
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Tracey Emin returns to Turner Contemporary with an exhibition pairing her iconic and controversial installation My Bed with a collection of JMW Turner’s seascapes and stormy skies, chosen by the artist and loaned from Tate’s collection. My Bed famously features Emin’s own bed and gives a snapshot of her life after a traumatic relationship breakdown. It offers an unconventional and uncompromising self-portrait through objects, in which the artist herself is absent. The artist’s unmade bed —surrounded by used condoms, stained underwear, cigarette butts and empty vodka bottles — marked a moment of epiphany in Emin’s life. After spending over a week in bed drifting in and out of consciousness in an alcoholic haze, she reached a realisation. ‘I just suddenly thought, “This is horr ific.” And then it all turned around for me. It stopped being horrific and started being beautiful
Randy Walker originally studied Architecture at the University of Oregon and as an artist has completed temporary and permanent commissions all across the United States of America.
The recipient of many grants and awards Randy’s work straddles precariously on several boundaries: solidity and transparency; structural stability and collapse; visibility and invisibility.
He strives to create work that primarily engages our sense of sight by contemplating how light can define structure, surface, and colour.
In this interview, we discover what fires Randy’s imagination and how his background in architecture has shaped his artistic vocabulary. We learn about his commissioned work and how he puts together his subtle yet mind blowing installations.
We’re back! Sorry for the wait! We’ve got a fantastic new episode with the incredible Stacey Bru, the Alberta-based zine maker and writer of Anxiety Comics. Stacey came to the Draw More…[[ This is a content summary only. Visit my website for full links, other content, and more! ]]
In the spectacular exhibition The Dutch in Paris 1789–1914, the Van Gogh Museum presents the French capital as seen through the eyes and hearts of eight Dutch artists: Van Spaendonck, Scheffer, Jongkind, Kaemmerer, Breitner, Van Gogh, Van Dongen and Mondrian. Their work – from large, iconic canvases to tiny pearls – is shown in this configuration for the first time along with work by their French contemporaries. At its heart is the inspiration Dutch artists found in Paris, their encounters with French artists and the impact this had on their art. The Dutch in Paris 1789–1914 (a collaboration with Paris Musées / Petit Palais and the RKD – The Netherlands Institute for Art History) showcases more than a hundred and twenty works, among them many loans from museums and private collections worldwide.
In the centenary year of the artist’s death, the Fitzwilliam Museum is staging a major exhibition of its wide-ranging holdings of works by Edgar Degas (1834-1917), the most extensive and representative in the UK. The Museum’s collections have been complemented by an outstanding group of over fifty loans from private and public collections throughout Europe and the United States, several of which are on public display for the first time. These include a group of paintings and drawings once belonging to the economist John Maynard Keynes, bought directly in 1918 and 1919 from Degas’s posthumous studio sales in Paris, against a backdrop of German bombardment during World War I. The remarkable breadth of works on display includes paintings, sculpture, drawings, pastels, etchings, monotypes, counterproofs and letters – some business-like, some heartrending – written by Degas to friends and associates. Prominen